On December 20, 2024, Black America got an early holiday gift with the release of viral hit, “Boots on the Ground.” The trail-ride inspired song was the brainchild of 803Fresh, a South Carolina native and Southern soul singer who grows on me by the day. 

Image by: Unseen Histories
Poem By: D. Parker

What Did We Do?

I can’t help but ask,
what did we do
to make them hate us so much?

I’ve been thinking a lot about that film. It’s the first film that I’ve watched at least three times. I have my criticisms of it, but I also think that it is a masterpiece. When we compare that movie with anything produced anywhere in the world, it is an artistic masterpiece aesthetically. It is overflowing with symbolism from the “jump.”  Everything from the opening scene with “Lil’ Sammy” and the introduction of the “Smokestack” twins is overflowing with rich historical and humanistic themes. 

The first protest I attended in 2020 here in Los Angeles took place on May 30th at Mariachi Plaza slightly east of downtown in the Boyle Heights district.  LA which has a predominately Latino population showed up for George Floyd as did the rest of America

They ask why we aren’t free yet.
Why justice still slips through our fingers
like water cupped in trembling hands.

As the month of June concludes and we enter July, Black Music Month (or African American Music Heritage Month) follows in tow. The uniqueness of our time is the dynamism of Black music operating in the popular consciousness now more than ever.

On Friday, June 6th, 2025, three days before Sly Stone joined the Ancestors, I received in the post a lost album by his band, Sly & the Family Stone, called The First Family: Live At Winchester Cathedral 1967 (High Moon Records). When I was giddy to get a press release last week announcing this project, there was no sense that Sly would soon be leaving this earthly plane, and his loss is a shock, especially amidst Black Music Month. So this earliest live recording of him and his hyper-legendary group that
transformed soul, pop, funk, rock, gospel & psychedelia is most welcome.

On the heels of Beyoncé’s “Cowboy Carter” release, Black country artists had their mainstream moment amongst the genre’s fans. It was long overdue since it was us who helped create and pioneer country music, though racist industry politics have blocked most of our artists from shining in the big leagues. 

The Black Experience in Southeast Kentucky is a series that shares the stories of African Americans living in the hills of Southeast Kentucky.

Growing up, I was often teased by my peers in school for liking blues. I did not mind though. I preferred the culture and history of the Blues instead of consuming dominant pop culture at the time. I had no true explanation as to why I felt the way I did about the Blues- I just did. Being a black man from the suburbs was my way of engaging with my environment. Some people say the Blues is something that comes to you, rather than you coming to it.

Between the 1830s to 1850s, Native Americans of the Five Tribes were forcibly marched on the Trails of Tears from their homelands in the southeastern United States to the eastern part of modern Oklahoma, then called “Indian Territory.” With them, they brought their African American slaves. It must be understood that slavery in Indian Territory varied widely – ranging from resembling white cotton plantations, to commonly practicing intermarriage and allowing other extended freedoms. Linda Reese cites, “By the time of the outbreak of the Civil War in 1861, the tribes' members owned approximately ten thousand slaves.”

Looking at black music and dance development in both the US and the Caribbean, Garcia identifies how Western cultural standards dominated discussions of culture, focusing on how racialized and sexualized bodies represented the primitive and savage through performance. Using theatrical productions, film, and performance hall recitals that “reproduced” African dance as historical “evidence,” viewers and scholars alike came to believe in Africa as a space that had not changed over the centuries, a haven for historical origins to which each member of the African diaspora could trace their roots.

In this broadcast, Todd Lawrence and I discuss the scholarship and work Of John Wesley Work III and the newly launched Award named in His honor. The AFS African American Folklore Section is proud to issue the first call for submissions for the new John Wesley Work III Award

I found my way into the modern Blues dancing world the way a lot of folks did (and still do) - through swing dancing. Often, Blues was the late-night dance for social swing dances and was occasionally referred to as swing’s “slow sexy cousin.

Similar in style to the Cajun music of their white Cajun counterparts of Southern Louisiana, Zydeco music shares its common origins and influences and also overlaps in style and repertoire. However, Zydeco music’s distinct sounds are rooted in its rural beginnings and reflect the social and economic conditions of its black and brown creators.

‘Clean Getaway’ is a chapter book by Nic Stone.  The story is about a boy named William “Scoob” Lamar and his G’ma traveling across America in 2018 to finish a trip G’ma tried to take when she was younger, but never finished.

Miss Mae daydreams in the summer breeze
of some yesterdays long  ago although
they seem as clear today as one of those tv's;
 pretty mens with their perfume and powder