McDaniel was only allowed into the venue with a strict “No Blacks” policy as a favor, and even then, she was segregated to her table in the very back of the room. No other blacks won that specific award again until Whoopie Goldberg did for her performance in the 1990 film Ghost.

We no longer need to rely on any other platform to share, publish, or even interrogate our narratives.

After a long-time supporter contacted me and shared how we are significant in disseminating and distributing the Blues People story, I felt it necessary to put the call out!

Soon after Freedom
Jim Crow was declared
Between Civil War and Civil Rights.
Holocaust like a virus spread
Another century went by

Miss Mae remembers the small crowds
when you came in as Ma Rainey left town,
taking with her all their money and their hearts;
but huge crowds for her - and Bessie's - closing shows.

Your noose of deaf zeal is
As tight as the stem of strange fruit
As damning as the rod spared
As stifling as the bleached white hood of night

A protest is the gathering of a group of people fighting for a shared belief. Depending on the group of people, it can be a peaceful protest, or it can be a violent protest. Most protests are usually peaceful because it is easier for people to hear someone talking than someone yelling at them. Nevertheless, there is always a group that thinks violence will fix the problem because their peaceful idea did not succeed.

In everyone's day-to-day life, they receive some form of information or entertainment. Whether it is on Television, Youtube, Movies, Billboards, Radio, and Newspapers. Everything I mentioned has one major thing in common, Commercials and Advertisements. The difference between the two is Commercials are usually broadcasted on Television or Radio, and Advertisements are usually Print Media. Commercials have been around since 1941 and Advertisements have been around since the early 1700s.

Growing up, seeing black girls on television made me appreciate my skin color and inspired me to be an actress. But I never really paid close attention to the role of black girls on syndicated cable shows. Lately I've noticed that a lot of black roles in programs I watch are grounded in tokenism. Tokenism was established in the 1950s and was termed in the 1970s. In the late 60s and early 70s another form of token was established, “the token black”. According to Ruth Thibodeau in her piece From Racism to Tokenism:

Growing up, I was often teased by my peers in school for liking blues. I did not mind though. I preferred the culture and history of the Blues instead of consuming dominant pop culture at the time. I had no true explanation as to why I felt the way I did about the Blues- I just did. Being a black man from the suburbs was my way of engaging with my environment. Some people say the Blues is something that comes to you, rather than you coming to it.

Andrew Rosa, author (top row, second from left); John H. Bracey, Jr. (front row, fourth from left), Annual Meeting of the Association for the Study of African American Life and History, Charleston, South Carolina Oct. 2, 2019.

Between the 1830s to 1850s, Native Americans of the Five Tribes were forcibly marched on the Trails of Tears from their homelands in the southeastern United States to the eastern part of modern Oklahoma, then called “Indian Territory.” With them, they brought their African American slaves. It must be understood that slavery in Indian Territory varied widely – ranging from resembling white cotton plantations, to commonly practicing intermarriage and allowing other extended freedoms. Linda Reese cites, “By the time of the outbreak of the Civil War in 1861, the tribes' members owned approximately ten thousand slaves.”

The question of roles within a power couple cannot be asked in isolation. Who takes care of the kids? Is the woman only prominent as a byproduct of the man’s prominence? If the man’s role is critical to society, should the woman simply accept the position of support for the greater good? Is the woman’s calling just as important as her partners?

Back in 2014, when Officer Daniel Pantaleo suffocated Eric Garner in a chokehold one long and hot summer day in Long Island, New York, scores of professional athletes decided to express their frustrations. Some kneeled while others donned shirts bearing the words, “I cant breathe” as a way to silently but visibly protest the continual confluence of Black death, racism, poverty, and endemic police brutality in the US. Many Black sports fans welcomed this expression of solidarity while many White fans did the exact opposite.

On May 4, 2023, when I walked into Joyride Studio at Chicago Avenue and Sacramento, not far from where I live on the West Side, I really didn’t know what would happen. With three guys from my band, I was going to play music behind a rap song.

carry in my body the story and knowledge of my great great grandmother Lizzie Taylor, known to our family as Mama Lizzie, believed to have been born just a year after the end of slavery, who laid the foundation for generational success, developing the knowledge and skills to acquire farm land that would eventually house, feed, employ and sustain not only her own family, but the larger community. Her example is one of resourcefulness and ingenuity.

Looking at black music and dance development in both the US and the Caribbean, Garcia identifies how Western cultural standards dominated discussions of culture, focusing on how racialized and sexualized bodies represented the primitive and savage through performance. Using theatrical productions, film, and performance hall recitals that “reproduced” African dance as historical “evidence,” viewers and scholars alike came to believe in Africa as a space that had not changed over the centuries, a haven for historical origins to which each member of the African diaspora could trace their roots.

Shirley Moody-Turner is an associate professor of English and African American Studies and founding co-director with Gabrielle Foreman of the Center for Black Digital Research/#DigBlk. She is an Author and award-winning educator that says, “As a young girl growing up in Buffalo, NY, I felt a deep longing to learn more about my family history. I would listen and ask questions as my family shared stories and talked, but I always felt there was much more to our history — stories laying beneath layers of silence… ”

n Gospel, I was sitting on the corner one day when I was about 13 or 14 years old playing my guitar and a guy drove up and asked me if I wanted to be a part of their group. A local group out of Chicago. Which I said yeah cause it had always been my dream to play with a group, especially with a Gospel group cause I was raised up in the church. So that's how that venture got started. It got started with I guess you would call one of the lowest groups on the totem pole.

In this episode, Todd Lawrence, Maria Lewis, and Lamont Pearley will host a live stream event offered by the AFS African American Folklore Section, the African American Folklorist and Jack Dappa Blues featuring Notable Folklorists of Color creators and curators, Phyllis May-Machunda, Sojin Kim, and Olivia Cadaval.

There is a deep and complex battle that hovers over Charlotte. In competition, being the first usually comes with celebration; however, in a racist society, being the first usually comes with sorrow, anger, rage, or plain sickness. I’m not necessarily saying Charlotte felt any of those emotions, though it’ll be hard to believe she didn’t.